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SøEdited Team SøEditor-in-Chief: Chris Saint Sims SøFashion Director: Savannah Barthorpe In a season defined by contradictions, AGRO Studios presents Prophet a collection built on restraint and collision, where material and meaning move in controlled disorder. Agro Studio resents Prophet, a study in contradiction. The collection looks to tarot, to the jester, to the disorder of the modern image. It reads as system and collapse, couture against uniform, softness against discipline. Ball gowns meet British school shirting. Leather intersects with tulle. Shearling collides with technical fabrics. The result is not harmony but balance: a tension between what is made and what is imagined. Colour remains muted, surface quiet, form articulate. Yellow punctuates the palette like a coded signal. Textiles are hand-painted, the process visible. Construction draws from corsetry, streetwear, and traditional leather craft. Each piece made in the London atelier, slow, deliberate, intentional. Volume closes the collection. Grandeur becomes architecture. The final silhouettes recall Westwood and Dior, not in reference but in spirit, where the line between theatre and reality is thin enough to walk. AGRO Studios moves from private commission into the open circuit of contemporary fashion. Prophet marks that transition. It introduces a framework where craft becomes language, and garments act as statements rather than decoration. The AGRO wearer occupies this in-between space, analytical, self-directed, instinctively aware of construction. They invest not in fashion as display but in the physical trace of making: an artefact of process and presence. Prophet is not about prophecy. It is about reading the present, its confusion, its fragments, and finding form within it. PRESS ThePop.Group
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Sø•FASHIONStructure over ornament. Memory over surface. Archives
October 2025
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