Article: Christopher George Photography: Simon Armstrong With a team comprised of three female founders all from different backgrounds, the label is founded on breaking down their own cultural boundaries and barriers. Introducing an array of bold prints, abstract floral and check. Silhouettes ranging from tailored outerwear to soft skirts, the bold designs show a delicately balanced approach to detail and embellishment.
0 Comments
Article: Christopher George Photography: Simon Armstrong Pam Hogg AW19 collection hits the London catwalk with its usual splendour and rock fantastic attitude. This season we see a range of cutting edge tailoring from the queen or pattern cutting, acid colours and belted restraints. A more wearable collection for AW19, but still punching a POW in visual terms, along with belted bondage strapping, studs and leather crafted superbly bringing together a dynamic and slick season to come. Pam Hogg
Article: Christopher George Photography: Simon Armstrong Magpies & Peacocks non profit design house has spent eight years promoting sustainability in design and diverting post-consumer textiles from landfill. Now storming into 2019 with its unique, zero waste up-cycled collections. Rene Garza for Magpies & Peacocks created entirely out of waste textiles collected and curated by M&Ps, including end-of-life linens, bolts ends, scrap fabrics, dead-stock and used clothing. Magpies & Peacocks is a Houston, Texas based non-profit design house (501c3) dedicated to the collection, curation, and sustainable reuse of post consumer/industrial textiles, to disrupt the cycle of waste in the fashion industry. The organisation collaborates with designers and artists to create unique up-cycled, zero-waste collections and small batch re-manufactured products directed at creating conscious consumers; provides a resource library of reusable material for the creative community; offers skill building and sustainability education; and incubates circular fashion innovation.
Editorial: Christopher George Autumn/Winter 2019-20, Paul Costelloe shows his mastery of tailoring. With striking, military inspired coats in pure Italian wool, they lead a collection full of rich colour, reminiscent of the Tsars. Opulent, mill-engineered velvet corduroy with a lavish handle, in autumnal shades of gold and claret, add to an array of flower strewn day to evening pieces, including pencil skirts with over-sized Aran knitwear, day dresses in subtle woven patterns and aristocratic inspired long, billowing gowns, fit for a princess. In the true style of Costelloe, the collection is feminine yet bold and powerful. Harping back to a more glamorous time while still being modern for todays woman.
 Editor: Christopher George Outerwear moves from understated to impactful. The stable but humble duffle coat is oversized and exaggerated, taking element from the parka to create a hybrid of the two British classics created in pillar box red and leopard prink faux-fur. Chunky knitwear worn as outerwear suggest the trans seasons we have been accustomed to dress for, and shifting from special occasions to everyday occasions, layered from day to night, while being casual and refined. MARKUS FUPFER
Editor: Christopher George The play between shapes, lights and movement comes together to create a skillful harmony. We are transported to an unreal world where the beauty of nature is preserved. This is a new collection that represents all the richness of the sea floor, its intense colors and all its unique and surprising beauty. However, nature is under threat by mankind so the designer draws attention to the causes of its destruction, such as climate change and other pollution on the species, wildlife and the biotope.
Thus, when using plastic waste as embroideries and illustrating the alteration of the colors of the aquatic flora, the Designer denounces the stakes of ecology. The use of new technology as 3D printing, using materials less common in textiles such as silicone and techniques like laser cutting reinforces her creations a modern image, even futuristic, revealing her as the incarnation of the new generation in Haute-Couture. The play between shapes, lights and movement comes together to create a skillful harmony. We are transported to an unreal world where the beauty of nature is preserved.  Feature: Christopher George FRENN, relaxed sophisticated with a sporty and contemporary attitude. Brave and bold, with hunts to classic utilitarian mens wear. Designed in Helsinki and hand-amnafactured in Northern Europe from ecologically and premium European materials. This seasons collection telling the story of the always precent nature in the city of Helsinki, where the woods are just around the corner. Playing on various shades of blue, vivid green, yellow and taking inspiration from urban architecture, adding to the contrast of city life and nature. Corduroy in brownish green reminds of the moss in the forrest. With style tips to twin pieces, scrunched woollen hats and and an emphasis on smart casual and thought out presentation, the FRENN look is here. FRENN
Editor: Christopher George Photographes: Victor Jones Summer 2019 collection. Inspired by how mankind are depending on and using the wind as a tool for transport, energy and play. One can’t see the wind but how it shapes and changes things on its way forward. Measuring the force of wind by visual clues from land and the sea. Wind can shape landforms, like dust, can travel thousands of miles. The collection reflects the theme in various ways; the silhouettes are inspired by the movement of garments that are caught by the wind. Foamy waves, soap bubbles, playful paper planes, boomerangs, parachutes, aerodynamics and even bad breath were keywords during the collection development. Soft fabrics against sharp colours and stripes allow the clothes strong but wearable character efoetlesle flow. Henrik Vibskov
|
Sø•FASHIONEditing a fashion style for a more positive self-assured individual. Archives
June 2025
|
RSS Feed