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SøEdited Team SøEditor-in-Chief: Chris Saint Sims SøFashion Director: Savannah Barthorpe For Fall/Winter 2026, BUZIGAHILL continues to develop its ongoing project, RETURN TO SENDER 12, presented during Intervention V at Berlin Fashion Week. The Kampala-based label looks back to the charged optimism of 1960s and ’70s East Africa — a moment shaped not by stylistic uniformity, but by authorship and forward motion. Independence was recent. Cultural production felt urgent. Identity was being assembled in real time. Archival imagery of newly sovereign Uganda and Kenya informs the collection: parquet dance floors, bougainvillea-lined streets, sharply flared trousers and generous collars worn with composure. It was the era in which Ugandan playwright Robert Serumaga toured internationally, and Kenyan writer Ngũgĩ wa Thiong'o published The River Between. Though infrastructure and dress often carried colonial residues, the posture was self-determined. That spirit is reframed through the contemporary realities of the second-hand trade. The journey begins at the port of Mombasa, where discarded garments from the Global North arrive in vast quantities before moving inland to Uganda. In Kampala, BUZIGAHILL intercepts, dismantles and reconstructs these pieces. What emerges is a conversation across generations — between grandparents who dressed for a new national horizon and today’s boda boda riders, whose pragmatic alterations turn imported cast-offs into garments of utility and pride. Sourcing from Owino Market, one of Africa’s largest second-hand hubs, the label redesigns and redistributes these garments back to the Global North. Each piece carries a passport label documenting origin, composition and production era — waste reframed as traceable object. RETURN TO SENDER 12 extends BUZIGAHILL’s critique with clarity. Kampala is not positioned as the terminus of fashion’s excess, but as an active site of re-authorship — shaping what returns, and how.
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Sø•FASHIONStructure over ornament. Memory over surface. Archives
March 2026
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