|
SøEdited Team Article: Astrid Kearney SøEditor-in-Chief: Chris Saint Sims SøFashion Director: Savannah Barthorpe In VIVARIUM, Karina Bond imagines fashion as something rarer than luxury: a living relic. Eight looks, destined for eight wearers, each garment meeting its host once before retreating into archive silence. Sculptural silhouettes emerge through 3D printing, hand-painted feathers, sustainable leathers and gilded organza, pulsing in a palette of incendiary red against bruised purple and burning orange. Nature threads through the work. Inspired by the beetle specimens seen at the Victoria and Albert Museum, Bond created her own scarab motifs, translating the jewel-like armour of insects into sculptural embellishments, a quiet homage to the beauty of nature. The collection also celebrates innovation and sustainability. Bond debuts her new line of 3D printed handbags in Dial 8, crafted with zero waste, lined with velvet microfibre and featuring a unique opening mechanism. Each bag embodies her commitment to responsible design, honouring the principles of zero waste while maintaining a sense of refined artistry. Hair, led by Efi Davies with the Toni and Guy session team, moved with lacquered chignons, flicks and polished glass fringes precisely separated to create a sense of motion. Hair as sculpture rather than ornament. Makeup by Lan Nguyen-Grealis using Kryolan delivered glossed skin, minimal brows, gilded eyes or orbs of radiating burnt browns or silvered lilac washes on inner and outer lids,, accented with a fine elongated red liner and fine red lashes at outer zones to that pull the gaze outward. Long high glossed almond nails by Giulia Oldani were ombre or red with radiating gilded rivets up the centre adding to the visual storytelling. Bond’s dialogue between craft and technology continues to evolve. 3D printed structures sit alongside hand-painted and embellished textiles that hover between armour and ornament. The collection carries tension and intimacy, a subtle whisper of the post-apocalyptic creeping into her vision. In VIVARIUM, fashion is not merely worn; it is inhabited briefly, remembered, and then preserved like a rare specimen, fleeting and unforgettable. Credits P.R : Cellar Communications Lead Makeup : Lan Nguyan -Grealis using Kryolan Styling : Borna Prikaski Nails : Giulia Oldani using Orly Lead Hair : Effi Davies with Toni & Guy Session Team using Lable M illustrator : Anna Huang (Dolls in a row) Jewellery : Vicki Sarge London Footwear : Natacha Marro Set Design : Liv Snowden Photography : Astrid Kearney
3 Comments
8/4/2026 10:28:40 am
Another advantage of dealing with Manukau gold buyers is the speed of transactions. Unlike other selling methods that may take days or weeks, gold buyers often provide instant cash or same-day bank transfers.
Reply
8/4/2026 10:33:59 am
As people increasingly use apps and websites to meet potential partners, tools like these offer a way to refine search criteria. They align with the idea of filtering and sorting profiles based on specific attributes.
Reply
8/4/2026 10:41:36 am
These tools provide real-time insights, allowing users to make quick adjustments when necessary. Digital solutions also help automate bill payments and reminders, reducing the risk of missed payments.
Reply
Leave a Reply. |
Sø•FASHIONStructure over ornament. Memory over surface. Archives
March 2026
|
RSS Feed